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dc.contributor.advisor Stoffel, Lawrence en_US
dc.contributor.author Cervantes, Mary
dc.date.accessioned 2021-03-27T21:35:32Z
dc.date.available 2021-03-27T21:35:32Z
dc.date.issued 2021-03-27
dc.identifier.uri http://hdl.handle.net/10211.3/218884
dc.description.abstract This thesis explores the use of transcriptions to expand the flute repertoire, as well as the challenges transcriptions pose to both the performer and the arranger. It specifically examines Joaquin Rodrigo's Concierto Pastoral and Fantasía para un Gentilhombre, a piece originally written for guitar and later transcribed for flute by Sir James Galway. This paper will determine what is required to write a successful transcription.
dc.description.statementofresponsibility by Mary Cervantes en_US
dc.format.extent v, 39 pages en_US
dc.language.iso en_US en_US
dc.publisher California State University, Northridge en_US
dc.subject Rodrigo
dc.subject flute transcriptions
dc.subject Fantasia para un gentilhombre
dc.subject Concierto Pastoral
dc.subject 20th century flute concertos
dc.subject.other Dissertations, Academic -- CSUN -- Music. en_US
dc.title The Use of Transcriptions to Expand the Flute Repertoire: A Technical Analysis of Rodrigo’s Fantasía para un Gentilhombre and Concierto Pastoral
dc.type Thesis en_US
dc.date.updated 2021-03-27T21:35:33Z
dc.contributor.department Music en_US
dc.description.degree M.M. en_US
dc.contributor.committeeMember Shostac, David en_US
dc.contributor.committeeMember Roscigno, John en_US


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