White Authorship and the Counterfeit Politics of Verisimilitude on The Wire

dc.contributor.author	Johnson Jr., Michael	en
dc.date.accessioned	2019-03-29T17:10:56Z
dc.date.available	2019-03-29T17:10:56Z
dc.date.issued	2013	en
dc.identifier.citation	Johnson Jr, M.(2013). White Authorship and the Counterfeit Politics of Verisimilitude on the Wire. In D. Leonard & L. Guerrero (Eds.), African Americans on Television: Racing for Ratings. Praeger	en
dc.identifier.issn	978-0275995140	en
dc.identifier.uri	http://hdl.handle.net/10211.3/209134	en
dc.description.abstract	This chapter argues that the messages communicated to The Wire viewers are the direct product of its heterosexual, white male writers/producers and those messages unambiguously reproduce very specific, pathologized images of race at its intersection with queer sexuality through The Wire's queer characters of color.	en
dc.format.extent	11 pages	en
dc.language.iso	en	en
dc.publisher	Praeger	en
dc.title	White Authorship and the Counterfeit Politics of Verisimilitude on The Wire	en
dc.type	Book chapter	en
dc.identifier.orcid	https://orcid.org/0000-0002-8479-5810	en

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